When Theo, a Nigerian art historian, removes a painting of a horse from a discarded pile of junk a neighbour has dumped in her front yard, he is unaware of its connection to a Kentucky slave from the 1800s. He takes the painting covered in soot to a restorer where he meets a Smithsonian scientist, Jess who has been studying the bones of the horse she believes is the same one in the painting. Jarret is a slave in the 1850s with a knack with horses. He forms a close bond with a foal after its birth and grooms the horse to race on the insistence of his master, Dr. Warfield.
What happens to Theo and the painting he has restored? And why did the bones of a horse from more than a hundred years ago end up in storage in a neglected section of Washington’s Smithsonian Museum?
What makes this book an even better read is the author’s meticulous research into many of her real characters and the events that actually happened back in the 1800s.
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